The roster is more inclusive than anything in mainstream classical music.Īfter the Bach, which was intensely felt but unpretentious, 18 pieces of Alone Together bled into one another as Ms. Koh gathered 20 established composers to donate short new works for solo violin and recommend 20 emerging composers to be commissioned as well. Sharon as Michigan Opera Theater’s new artistic director - was obviously created with restrictions.Īlone Together is a marvel for a time of crisis. “Twilight: Gods” - the first project by Mr.

Most likely I was just overwhelmed, seven months after the end of live music as we knew it, by an opera performance without compromises.Įver since the coronavirus pandemic closed theaters and concert halls in March, the performances I’ve seen, whether a livestream or something small outdoors, have seemed to come with a caveat: This is the best we can do, given the circumstances. Or perhaps it was the presentation: In Michigan Opera Theater’s “Twilight: Gods” - a drive-through abbreviation of Wagner imaginatively directed by Yuval Sharon, and unfolding on the levels on a parking garage here - Brünnhilde’s steed was a Ford Mustang, in which she sped off into the apocalypse. Perhaps it was this performance of the climactic Immolation Scene from Wagner’s “Götterdämmerung,” sung with a frightening blend of ferocity and euphoria by the soprano Christine Goerke.

DETROIT - It was around the time when Brünnhilde summoned her horse to ride into a funeral pyre, setting off a world-cleansing fire and flood, that I found myself fighting back tears.

Parking detroit opera house